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“Separating from my management company of 20 years, my record label of 25 years, separating from my husband, and losing my dad was hard,” she says.“All those male anchors went away within four days of each other.” But instead of diving back into the lyrical canon of despair and producing carbon copies of past hits such as , plays up her new-found appreciation for erotic pleasure.
(As we speak she’s also auditioning drummers for the tour ahead, via stream in the tipi office.) But she still sounds a lot like the woman who started Lilith Fair.“I had an awful relationship with her then,” she says of her mother, whom she lost to cancer in 2001.“Even though my parents had supported me in music, they thought of it as just a nice hobby.” Mc Lachlan is sitting in an oversized chocolate couch with a view of a granite pool, a tipi-shaped guest house (her personal assistant’s office) and the deck, which has a pair of rattan swings on it, woven with giant daisy motifs.“I think with this record, Sarah’s opening herself up in ways she hasn’t in the past.There is a candour to her songs that you don’t always hear in her work. These new songs are less obscure and really do focus on her life right now, which is very positive.” The record does seem brighter than the rest of her oeuvre.